SPELLLING - The Turning Wheel - I am late to the party on SPELLLING but what a great place to join it: as a fan of intricate arrangements this is a fricking dream! As a bonus the lyrics have some real heft as well.
Red velvet curtains draw back to reveal a cosmic wheel of fortune, floating in the deep black star-studded theater of infinite space. A whirl of timbres, personalities, and stories. The Turning Wheel, the third full-length by the Bay Area artist SPELLLING (Chrystia Cabral), revolves around themes of human unity, the future, divine love and the enigmatic ups and downs of being a part of this carnival called life.
Venturing to push the boundaries of her primarily synth-based work, SPELLLING took on the ambitious task of orchestrating and self-producing an album that features an ensemble of 31 collaborating musicians. The Turning Wheel incorporates a vast range of rich acoustic sounds that cast SPELLLING’s work into vibrant new dimensions. The double LP is split into two halves — “Above” and “Below.” Lush string quartet shimmer combines with haunting banjo and wandering bassoon leads, as the album progresses from the more jubilant, warm, and dreamy mood of the “Above” tracks to the more chilling and gothic tone of the “Below” tracks. This progression is anchored by SPELLLING’s familiar bewitching vocal style that emphasizes the theatrical and folkloric heart of her songwriting.
All songs written and produced by SPELLLING
Performed by SPELLLING except:
Acoustic Guitar by Milo Jimenez
Banjo by MacGregor Munson
Baritone Sax by Lidia Rodriguez
Bass by Giulio Xavier Cetto on “Little Deer”, “Emperor” “Legacy”, “Magic Act” and “Revolution”
Bass by Doug Stuart on “The Future”
Brass by Calliope Brass Quintet: Trumpet and Flugelhorn: Rebecca Steinberg and Monica Benson, Horn: Erin Paul, Trombone: Sara Mayo, Bass Trombone: Jennifer Hinkle
Bassoon, Clarinet, and Bass Clarinet by Carolyn Walter
Conga Drums by Brijean Murphy
Choir: Ezra Teshome, Noor Al-Samarrai, Dharma Mooney
Electric Guitar by Satcher Hsieh on “The Future” and “Little Deer”
Harp by Amy Ahn on “Always” and “Sweet Talk”
Harp by Destiny Muhammad on “Little Deer” and “The Future”
Shredding Electric Guitar by Lisa Reed on “Boys at School” and “Magic Act”
Strings by ATLYS (Sabrina Tabby and Jinty McTavish, violins, Rita Andrade, viola
Genevieve Tabby, cello) on “The Turning Wheel”, “The Future”, “Awaken”, and “Sweet Talk”
Strings by Del Sol String Quartet on “Always”, “Emperor” and “Queen of Wands”
Percussion by Janak JP on “The Turning Wheel”, “Magic Act”, “Revolution” and “Sweet Talk”
Percussion by Jacob Richards on “Little Deer” and “Boys at School”
Piano by Javier Santiago and Donia Jarrar
Vocals on “Sweet Talk” by Tenzin Choegyal
(via unknownthinkingprocesses)









































